hOTEL rOOMS

Title of Work: hOTEL rOOMS

Year: 2017

Medium: Digital Still Photographs

Duration: 2 years

I have been experimenting with self portraits since I was a school-going boy. Before I even familiarised myself with the term. Yes, like most adolescent boys, I wanted to send my partner photos of myself. I always tried to make the photos artistic, subtle, indirect, full of light and shade, and simply exciting. I was able to explore so much more with portraits just by being in my room with myself. I became my own director. Soon I began to construct narratives that left the realms of that adolescent school boy.

Past few years I’ve been traveling. I find hotel rooms fascinating. They are all the same and yet so different from each other in how they make you feel. Traveling alone gives you the headspace to immerse into this “private” space that you occupy temporarily.

The general idea of the room is pretty simple, but the finer details are influenced by location, budget, and sometimes even the weather.

I find a sense of calmness in these rooms, as though I was in a gigantic box made up of mirrors— all these perceptions are actually my own and how I look at myself.

The general idea is pretty simple, I am like any other human being. And to myself the same human being, if I isolated myself.  However, the finer details of how my body changes, my skin reacting to this space, how my mood is influenced by the location and setting, so on.

An aspect of my traveling is that I don’t groom at all. Since whenever I do shave, most people treat me as a child. I don’t carry any razors or trimmers that I can rid any body hair with, so essentially let everything grow as they would naturally.

Given the complexity of the process— to compose, focus, and shoot, I ended up building a vast collection of photos of myself.

It has been a while through these rooms, and I am fully aware of how my body looks, how much I have changed not just mentally, but also physically; If I prefer the hair or not, how different lighting makes me look, what makes me look commercially appealing to what makes me feel naturally comfortable. The medium of photography is powerful, and I decided to begin to use it to document myself.

Ankti Banerjee_Hotel Rooms_Shantiniketan 01

Shantiniketan

Ankti Banerjee_Hotel Rooms_Shantiniketan 02

Shantiniketan

Ankti Banerjee_Hotel Rooms_Varanasi 03

Varanasi

Ankti Banerjee_Hotel Rooms_Home 10

Home

Ankti Banerjee_Hotel Rooms_Varanasi 05

Varanasi

Ankti Banerjee_Hotel Rooms_Kerala 06

Kerala

Ankti Banerjee_Hotel Rooms_Varanasi 04

Varanasi

Ankti Banerjee_Hotel Rooms_ Gokarna 08

Gokarna

Ankti Banerjee_Hotel Rooms_ Home 11

Home

Ankti Banerjee_Hotel Rooms_Gokarna 07

Gokarna

Image Copyright © Ankit Banerjee.

Varansi

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Shantiniketan

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Varanasi

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Gokarna

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Shantiniketan

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Shantiniketan

Image Copyright © Ankit Banerjee.

Varanasi

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Gokarna

Image Copyright © Ankit Banerjee.

Shantiniketan

Image Copyright © Ankit Banerjee.

Gokarna

Image Copyright © Ankit Banerjee.

Shantiniketan

Image Copyright © Ankit Banerjee.

Varanasi

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Shantiniketan

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Home

Image Copyright © Ankit Banerjee.

Varanasi

 

All Images Copyright © 2017 Ankit Banerjee. All Rights Reserved. Unauthorized reproduction and/or uncredited republishing is prohibited.


Ankit is an independent artist, curiously wandering through self-discovery by self-expression.

ankitbanerjee.com | ankitban.vsco.co | @ankitban

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Rashmi + Thomas, the Wedding Album

Image Copyright © Ankit Banerjee. All Rights Reserved.

Rashmi + Thomas, wedding album

Image Copyright © Ankit Banerjee. All Rights Reserved.

Rashmi & Thomas, wedding album

Image Copyright © Ankit Banerjee. All Rights Reserved.

Rashmi & Thomas, wedding album

Image Copyright © Ankit Banerjee. All Rights Reserved.

The wedding album

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Rashmi & Thomas

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Layflat design

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Inner layout design

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Branding and logo

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Inner layout design

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Branding and online viewable link+QR

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Casing for the album

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Closing page.

Wedding photographs by Abhishek BA and Ankit Banerjee.
Album Design & Print by Oodio Studio.

Images Copyright © 2016 Ankit Banerjee. All Rights Reserved.

For Bookings, Prints, Collaboration: ankit.bann@gmail.com

ankitbanerjee.com | ankitban.vsco.com | @ankitban

 

Upanayana of Rishab Mohan, the album.

Back in 2013, I used to intern at this small design and post production company called Oodio Studio in Bangalore, India. After my tenure of 4 months there, I moved on to pursuing my photography independently. Years later in 2016, I placed a Design & Print order for the Upanayana of Rishab Mohan I shot recently. This book is a Medium Landscape 9” x 11” SLIM Flushmount Signature book with Fawn Brown Leatherette. I must draw attention to the flawless production and branding by the folks at Oodio. Their work is on point and it makes me so happy to have once been a part of this firm.

Image Copyright © Ankit Banerjee. All Rights Reserved.

Outer packaging, carry bag

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Album Casing

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The Signature album

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Fawn Brown Leatherette

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SLIM Flushmount (20 sheets)

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Medium Landscape 9” x 11”

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Spineless binding

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Medium Landscape 9” x 11”

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Opening Page, event details

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Heavy gauge 500 GSM Matte paper

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Flushmount book

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Silver Halide printing

Image Copyright © Ankit Banerjee. All Rights Reserved.

Silver Halide Printing, Heavy gauge 500 GSM Matte paper

Image Copyright © Ankit Banerjee. All Rights Reserved.

Designed by Oodio

Image Copyright © Ankit Banerjee. All Rights Reserved.

Completely flat

Image Copyright © Ankit Banerjee. All Rights Reserved.

Really, completely flat

 

Image Copyright © Ankit Banerjee. All Rights Reserved.

Custom Message Card

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QR code & web link to album

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Logo and Signage

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Branding

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End page with contact details

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Branding on back of the book

I will admit, it makes me emotional to be on the client side of the company. The work flow, the communication, the delivery commitment, is as makhhan (butter) smooth. These guys not only taught me the craft and the work of post production, but also give me the constant motivation to do what I do, better.

Images Copyright © 2016 Ankit Banerjee. All Rights Reserved.

ankitbanerjee.com | ankitban.vsco.com | @ankitban

Sub Rosa Arteries

In August 2014, we were given an English assignment in college to explore areas of Bangalore. Little did I know that it would lead to a course-changing series of events. I fell in love with the roads, the chaos, and the people! Born and raised in an upper middle class family, I was a “city boy” for most of my life. Coincidentally, at the same juncture two things happened—first, I saw my city change the way it looked across my schooling years, and second, I became a part of Naresh Narasimhan’s Facebook group (discontinued) “Bangalore- Photos from a bygone age”. They shared photos of Bangalore from the years of 1800-2000’s. This pairing got me thinking: The way I perceive those photos in 2015 is very different from its time. Everything fascinated me and I began to document the city extensively, to build an archive of photos which is of potential academic value 50 – 100 years ahead. The photos in this theme are a subset of these unpublished archives. The photos here are more from a photojournalist approach than photography or “artistic” take. I felt, taking photos doesn’t always have to conform to art and aesthetic beauty, or science of composition rules. It can be as simple as, well, just capturing a moment. The intent behind capturing the photo became vital and the subjectivity associated with it appealed to me. After trying my hand at numerous genres of photography, I felt a connection in documenting the city life. An extended addition of two photos from Meerut, UP to the set is an effort to establish cause-and-effect relation— how the lanes of my city made me grow itchy feet and extend my efforts in archiving to parts of India. I am home.

More Street photos | Instagram

Ankit Banerjee is an independent photographer based in Bangalore, India.

All Images Copyright © Ankit Banerjee. All Rights Reserved. Unauthorized use or reproduction for any reason is prohibited.

Solo Photography Exhibition

Image Copyright © Ankit Banerjee. All Rights Reserved. Image Copyright © Ankit Banerjee. All Rights Reserved. Almost five years back, it all started with an accidental photo of milk overflowing. Shuffling across several borrowed cameras from supportive friends and family, learning exactly what each technical number meant, to freelancing and travelling over the years, the moment is finally here—It’s time to celebrate the adventures of a Bangalore boy and his experiences with a camera. The photos are selected works from my past few years of travelling across Hampi, Goa, Delhi, Meerut, Kerala, and through the streets of my home, Bengaluru. The exhibition also showcases nature, architecture, abstracts, and portraits.

Image Copyright © Ankit Banerjee. All Rights Reserved. Image Copyright © Ankit Banerjee. All Rights Reserved.

WHEN: 7th-29th March 2015

WHERE: Art Of Delight, 44/1 Residency Road, Below Hotel Nagarujua, Bangalore.

CONTACT: +919739506907 and +919964773776

Image Copyright © Ankit Banerjee. All Rights Reserved. Image Copyright © Ankit Banerjee. All Rights Reserved. Image Copyright © Ankit Banerjee. All Rights Reserved.

Works on display: https://500px.com/ankitban/sets/exhibition_picks

Facebook: https://www.facebook.com/events/1392445337737299/

Allevents: http://allevents.in/bangalore/solo-photography-exhibition-by-ankit-banerjee/80001624357345

Image Copyright © Ankit Banerjee. All Rights Reserved. Image Copyright © Ankit Banerjee. All Rights Reserved.

IN THE PRESS:

I am a 19 year old photography hobbyist turned freelancer based in Bangalore, India.

Discovery: a cherished childhood experience.

To and fro, everything around me kept moving. I don’t know whether it was the motion blurry sight, or just the funny feelings in my stomach that made me so happy. Or maybe it was just the air hitting my face repeatedly, waving through my long bowl-cut hair that made childhood blissful. It took time to learn how to push myself— the crazy torso movement to imaginary leg acceleration. But the best was yet to come—jumping off right when it was on the top. The leap from that height was so exhilarating that soon after I landed, I rushed into another round.

Now, every time I pass by a vacant plank held by chains, I can hear it calling me.

Person: narcissistic note to self.

Another rainy afternoon in the city, and I watch through my window the people grasping on to the collars of their coats and umbrellas running to meet up deadlines to free some space for a glass of wine by the fire place with their persons escaping from their mundane schedule. So many people and their daily impact on one and another, each one significantly contributing to the life of other for better or, for worse. Some shake hands, hug and spread smiles while some push the other off the cliff by looting them for their own greed. Who remains with us when we differentiate the materialistic things from the humane behaviour that we exchange?

You were always there with me.

You were a critic, a support, a necessity, a foe and a partner: that somebody who patiently sits by me without saying a word while I hear you. You were me, but just not within me. I can see you standing by the door looking at me. You carefully learnt the ways of others, the style of my friends and carefully integrated them within. The many forms you took to never make me feel the absence of anyone else, who would otherwise not be there. By your simple objectivity and acceptance, you left a significant impact on my life. You were me, just not within me.

Such is the person who has significantly made an impact on my life. In moments of extreme emotions, the third person always jumped outside my body to restore normalcy. When I grew weary, he talked to me and made me understand with a rational explanation and did not let me feel small. He celebrated my victories but reminded me nobody has seen what tomorrow brings. When she and the rest made decisions for themselves, he told me it’s alright and I must not expect. When I escaped to a new dimension to seek solace, he told if I was doing it right, and whether the photographs conveyed what I wanted to say. He critiqued my work with great finesse and found the flaws that needed to be corrected, advices and quick tips to be kept in mind such that I could make a good picture, great. When I am on stage, I see him sitting there in the audience knowing exactly where I stumble and point out the pros and parts that need improvement. He established the fine line of right and wrong and through simple and effective humane connection of friendship, he introspected for my self-improvement.

He was I. You were me, just not within me. My principles, morals and all that I believed, mastered like a lawyer.

Disclaimer:

I am not a loner. I have friends whom I cherish. This is just a practice of being empathetic to myself first, and then to others. We need answers to all that we face and it is best to go back, place ourselves there and relive. The span of life is a long journey to 00different places. It would be irrational to expect and depend myself on to another person to everywhere I go, unless the person is me